I’m a recluse by nature. I rarely volunteer to leave my home studio. Necessity has to drag me out the door, kicking and screaming: re-supply needs or occasions it just would not be right to avoid. I rarely initiate get-togethers, but do attend, when others put them together. I like to work, work, work! For me painting is a solitary undertaking, my best results achieved while all alone, uninterrupted, in the zone. Sound familiar?
I’m primarily an abstract painter. It was a sudden realization in the late ’80s that I might have something to say, using multiple viewpoint perspective, that drew me away from my commercial (animation direction, illustration, computer game creative direction) work towards fine art. As a kid, from birth through high school, I did create representational works and, of course, my commercial endeavors required my work to be representational, in one form or another, but my adult fine art works were abstractions.
A few years ago, some portrait work from artist friend, Terry Robinson, was posted on Facebook. Terry and I first met and worked together, when I was the Chief Creative Officer at Sierra Online, a computer game company in the Sierra Mountains (unbelievable, huh!). When I realized the postings were occurring weekly, I asked Terry about them. He let me know he was meeting weekly with a group that brought in a live model and encouraged me to join them.
Like a lot of us, drawing from life had slowly migrated to the bottom of my daily to do list, since I’d left art school, and here was an opportunity to move it back towards the top.
So, I showed up one Friday for a Yosemite Western Artists (YWA) live model session. This one small, seemingly insignificant action broadly expanded my world.
The Yosemite Western Artists are primarily representational artists. Fearing that my abstractions would cause these strangers to gather up torches and pitchforks and drive me from the building, I first worked representationally with the group. My first surprise was that I enjoyed working representationally again and that I had a lot of areas still to explore in this direction. I realized I was a different artist than the one who’d abandoned representational work in high school. Another was that, weeks later when I abstracted from the model during a session, that others were interested, not necessarily appalled, by what I was doing. In fact, based on member request, I’ve since hosted workshops on abstraction.
YWA also introduced me to plein air painting (a big part of what I do these days), through their monthly group outings.
The relationships I’ve developed with other artists, through the group has not only been good for the soul, but it’s provided me with kindred spirits that love to discuss art and art challenges as much as I do. I haven’t rolled art around this much in conversation, since I left art school. And collectively they’ve exposed me to art competitions, gallery and exhibit opportunities in the local area that, for the 24 years I’ve been painting up here, I had no idea existed. I’ve learned of brilliant artists whom I’d never heard of and museum exhibits I surely would have missed, left to my own devices. These accidental acquaintances have blown my world wide open. I suppose this is how and why so called schools of painting, in distinct geographical areas, developed, like Impressionism, Post Impressionism, Abstract Expressionism and Pop Art: groups of artist circling the wagons and within painting, discussing, critiquing and supporting each other, as they drove their creative expessions in new directions.
I’ve since widened my creative circle by joining another organization, the Society of Western Artists, a group originally established in the ’30s, with current locations in Fresno, CA (near my studio in the Sierras) and the San Francisco Bay Area. While newer to this organization, I’ve already had extended conversations on art, through road trips, as we’ve transported works for group exhibitions from Fresno to San Francisco.
When I first stepped through the doorway of the historic Gertrude Schoolhouse (headquarters for YWA), I never saw any of this coming. Thank you Terry for dragging me out of my cocoon!
If you, yourself, don’t already belong to an active artist group in your area, I recommend you join one quickly. The rewards, both practical and spiritual, will be unpredicted and immeasurable!
