{"id":755,"date":"2017-06-12T08:56:07","date_gmt":"2017-06-12T15:56:07","guid":{"rendered":"http:\/\/trowzersakimbo.com\/blog\/?p=755"},"modified":"2017-06-12T08:56:07","modified_gmt":"2017-06-12T15:56:07","slug":"picasso-haters","status":"publish","type":"post","link":"http:\/\/trowzersakimbo.com\/blog\/2017\/06\/12\/picasso-haters\/","title":{"rendered":"Picasso Haters!"},"content":{"rendered":"
\"Girl
“Girl Before a Mirror,” Pablo Picasso<\/figcaption><\/figure>\n

I work both abstractly and representationally, so my work connects me with representational painters and enthusiasts, as well\u00a0as those who work with or love abstraction. Because I use multiple viewpoint perspective*\u00a0in my abstract work\u00a0, it often initiates conversations about cubism<\/em> and Picasso<\/em>. Contributing to\u00a0these discussions,\u00a0I’ve discovered\u00a0a whole lot of people who tell me they don’t like Picasso…in fact, some say they HATE Picasso!<\/p>\n

\"Rare<\/a>
My multiple viewpoint perspective painting, “Rare Sighting,” 40\u201d x 30, \u201doil on canvas, $4,000.00.<\/figcaption><\/figure>\n

Further inquisition\u00a0reveals that most\u00a0of this group misunderstand what\u00a0they’re perceiving\u00a0when they stand before a Picasso work.\u00a0You’ll often overhear\u00a0a\u00a0judgement like, “That’s not art!,” from someone viewing one of this Spaniard’s paintings or sculptures. In a way, they’re right, it’s NOT\u00a0a particular KIND\u00a0of art. The reality is that since the middle or late 19th century Art has been divided into categories.<\/p>\n

Prior to the mid 19th century all Art fell into one category, representational<\/em> art. \u00a0Art had\u00a0actually been more of a\u00a0\u00a0commercial endeavor and was often the product of a team of craftsmen, working under the direction of a master craftsman to arrive at a product commissioned by a paying customer. Most of those commissions were initiated by\u00a0the Catholic or Orthodox Churches, which both required an almost impossible\u00a0number of images, sculptures, stained glass windows, alters and even churches to communicate their message to an illiterate public. These collections of craftsmen\u00a0were often capable of designing and fabricated all\u00a0the above listed items\u00a0for their customers, a kind of one stop shop. Representational imagery was key to\u00a0communication, so the competition among the Art Shops<\/em> was fierce as to who could delivery the most convincing\u00a0Realism<\/em>.<\/p>\n

\"Camera
Demonstration of an early Camera Obscura<\/figcaption><\/figure>\n

The artisans had no qualms or guilts surrounding mechanical assistance\u00a0in arriving at their representational ends. They were competing with each other in a race to create the most\u00a0realistic images possible. Realism translated into bucks, more commissions meant more money in their pockets, so when the single<\/em> or vanishing point perspective<\/em> system, for achieving realistic perspective, was uncovered, they lapped it up. The camera\u00a0<\/em>obscura<\/i>, a mechanical device that allowed projection of the world onto a piece of paper, panel or canvas for tracing,\u00a0introduced during the Italian Renaissance, \u00a0was welcomed by many of these craftsman, as a quick and accurate method for achieving realism. The point is, Art<\/em> was a highly commercial endeavor, the faster, more accurate and efficient images could be created, the better. No one cared how they got there. There was no such thing as a Fine Art<\/em>, only paying customers.<\/p>\n

In the 16th Century Protestantism<\/em> arrived and brought with it The<\/em> Reformation<\/em>, which sought to return believers to religious fundamentals and strip away, what was\u00a0felt, were blasphemous\u00a0religious\u00a0practices, among them, the creation of graven images or idolatry. Remember the printing press had been invented by now and people were beginning to read, the church was no longer dependent on imagery for communication.<\/p>\n

With the loss of this\u00a0meal ticket, the popularity of the multi-artist studio began to give way to solo artist practitioners. They may have utilized an assistant or two, but the production process was greatly scaled down. Efficiency and the assistance of whatever devices were available was as important as ever. The major customers now, were civic institutions or wealthy patrons interested in having pertinent events, important individuals or history\u00a0(real or fictional) recorded for posterity. Again, communication was the goal and realism the best vehicle for the communication.<\/p>\n

\"Early
Early photographer<\/figcaption><\/figure>\n

Remember the artist’s friend the camera obscura<\/em>? Well, over time it was\u00a0fitted with a ground lens and reduced in size, from its original configuration as a small room, to something that could be carried around and used on location. In the\u00a0middle of the 19th\u00a0a practical method\u00a0appeared\u00a0that could take\u00a0the\u00a0image captured directly by the camera<\/em> and reproduce multiple copies of it. Photography was born. With real<\/em> images of people and events now available, painted versions, as documentation, were less necessary or desirable.<\/p>\n

This unexpected development (excuse the pun), changed the way artists perceived what it was they were doing. They became more introspective, started looking at how they applied paint, how they mixed color, how they delivered the illusion of space, etc. One outcome was Impressionism<\/em>, where, less concerned with realism, artists\u00a0applied paint\u00a0loosely and dabbed\u00a0raw color directly on\u00a0the canvas, requiring viewers to complete the paintings, in their mind’s eye. Here, for the first time, a division in art begins. Art is divided into art for commercial purposes (illustration) and a new Fine Art<\/em>, an art for art’s sake.<\/p>\n

Galleries for public viewing of art began to appear in the middle 18th century, where, prior to this, all would have been secreted away in private collections of the church, royalty or the wealthy. These public spaces really took off in the 19th century, where\u00a0the average citizen now had access to viewing art in every city, around the world.<\/p>\n

With the stage now set for Picasso’s entrance, I’ll\u00a0present the man himself in my next post and explain why he is considered the creative genius of the 19th and 20th centuries.<\/p>\n

*An approach that considers the subject matter from all sides, then represents that data, at the same time, in a single image…think cubism.<\/p>\n","protected":false},"excerpt":{"rendered":"

I work both abstractly and representationally, so my work connects me with representational painters and enthusiasts, as well\u00a0as those who work with or love abstraction. Because I use multiple viewpoint perspective*\u00a0in my abstract work\u00a0, it often initiates conversations about cubism and Picasso. Contributing to\u00a0these discussions,\u00a0I’ve discovered\u00a0a whole lot of people who tell me they don’t … Continue reading “Picasso Haters!”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[18,66,8,65],"jetpack_featured_media_url":"","_links":{"self":[{"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/posts\/755"}],"collection":[{"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/comments?post=755"}],"version-history":[{"count":29,"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/posts\/755\/revisions"}],"predecessor-version":[{"id":790,"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/posts\/755\/revisions\/790"}],"wp:attachment":[{"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/media?parent=755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/categories?post=755"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/trowzersakimbo.com\/blog\/wp-json\/wp\/v2\/tags?post=755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}